Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Here are all the paintings of BORDONE, Paris 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
63835 Allegory BORDONE, Paris Allegory 1558-60 Oil on canvas, 110 x 131 cm The Hermitage, St. PetersburgArtist:BORDONE, Paris Title: Allegory Painted in 1501-1550 , Italian - - painting : mythological
5240 Allegory ghyj BORDONE, Paris Allegory ghyj 1558-60 Oil on canvas, 110 x 131 cm The Hermitage, St. Petersburg
30979 Hieronimus Kraffter ou Crofft,marchand d'Augsbourg BORDONE, Paris Hieronimus Kraffter ou Crofft,marchand d'Augsbourg mk70 Toile H.1.07 L.0.86 Paris,Musee du Louvre
5241 Nude intp BORDONE, Paris Nude intp Pencil and chalk on paper, 32 x 20 cm Galleria degli Uffizi, Florence
5242 The Presentation of the Ring fdhfd BORDONE, Paris The Presentation of the Ring fdhfd 1534 Oil on canvas, 370 x 301 cm Gallerie dell'Accademia, Venice
5244 The Venetian Lovers BORDONE, Paris The Venetian Lovers Oil on canvas, 95 x 80 cm Pinacoteca di Brera, Milan
5243 Venus and Mars with Cupid BORDONE, Paris Venus and Mars with Cupid 1559-60 Oil on canvas, 118 x 130,5 cm Galleria Doria-Pamphili, Rome

Italian High Renaissance Painter, 1500-1571 Bordone was born at Treviso, but had moved to Venice by late adolescence. He apprenticed briefly and unhappily (according to Vasari) with Titian. Vasari may have met the elder Bordone. From the 1520s, we have works by Bordone including the Holy Family in Florence, Sacra Conversazione with Donor (Glasgow), and Holy Family with St. Catherine (Hermitage Museum). The St. Ambrose and a Donor (1523) is now in Brera. In 1525-6, Bordone painted an altarpiece for the church of S. Agostino in Crema, a Madonna with St. Christopher and St George (now in the Palazzo Tadini collection at Lovere). A second altarpiece, Pentecost, is now in Brera gallery. In 1534-5, he painted his large-scale masterpiece for the Scuola di San Marco a canvas of the Fisherman delivering the Marriage Ring of Venice to the Doge (Accademia). However, when this latter painting is compared to the near-contemoporary, and structurally similar, Presentation of the Virgin, Bordone's limitations, his use of superior perspective, which creates dwarfed distant perspectives, and limited coloration relative to the brilliant tints of Titian. Bordone is best at his smaller cabinet pieces, showing half-figures, semi-undressed men and women from mythology or religious stories in a muscular interaction despite the crowded space.
Albert Bierstadt
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