Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Here are all the paintings of Rembrandt 10

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
38198 The Polish Rider Rembrandt The Polish Rider mk29 c.1655 Oil on canvas 116.8x134.9cm
60433 The Polish Rider A Lisowczyk on horseback. Rembrandt The Polish Rider A Lisowczyk on horseback. The Polish Rider - A Lisowczyk on horseback. The subject of much discussion. It is possible that the person depicted was Grand Chancellor of Lithuania, Marcjan Aleksander Ogi??ski (1632-1690)
24570 The Polish rider (mk33) Rembrandt The Polish rider (mk33) New York
34561 The Presentation of Jesus in the Temple Rembrandt The Presentation of Jesus in the Temple mk93 1631 Oil on panel 60.9x47.8cm The Hague,Mauritshuis
34572 The Presentation of Jesus in the Temple Rembrandt The Presentation of Jesus in the Temple mk93 c.1627/28 Oil on panel 55.4x43.7cm Hamburg,Hamburger Kunsthalle
34577 The Prophet Jeremiab Mourning over the Destruction of Jerusalem Rembrandt The Prophet Jeremiab Mourning over the Destruction of Jerusalem mk93 1630 Oil on panel 58.3x46.6cm Amsterdam,Rijksmuseum
41512 The Prophetess Anna Rembrandt The Prophetess Anna mk164 1631
41523 The Prophetess Anna Rembrandt The Prophetess Anna mk164 1631
24667 The Prophetess Hannab (mk33) Rembrandt The Prophetess Hannab (mk33) 1631 Panel. Amsterdam,Rijksmuseum
8777 The Raising of Lazarus Rembrandt The Raising of Lazarus c. 1630 Oil on panel, 96.2 x 81.5 cm Los Angeles County Museum of Art, Los Angeles
34417 The Raising of Lazarus Rembrandt The Raising of Lazarus mk93 c.1630-31 Oil on panel 38x32in County Museum of Art Los Angeles
34418 The Raising of Lazarus Rembrandt The Raising of Lazarus mk93 1631 Oil on canvas 40 1/2x44in Brighton Museum and Art Gallery England
34580 The Raising of Lazarus Rembrandt The Raising of Lazarus mk93 c.1630/31 Oil on panel 96.2x81.5cm Los Angeles,County Museum of Art
50261 The Raising of Lazarus The Large Plate Rembrandt The Raising of Lazarus The Large Plate mk210 c.1632 36.6x25.8cm
34421 The Raising of the Cross Rembrandt The Raising of the Cross mk93 c.1633 Oil on canvas 37 7/8x28 5/8in Alte Pinakothek Munich
34562 The Raising of the Cross Rembrandt The Raising of the Cross mk93 c.1633 Oil on canvas 95.7x72.2cm Munich,Bayerische Staatsgemalde sammlungen
24587 The Raising of the Cross (mk33) Rembrandt The Raising of the Cross (mk33) C.1633 Canvas,arched 95.7x72.2cm Munich,Bayerische Statsgemaldesammlungen,Alte Pinakothek
34434 The Rape of Europa Rembrandt The Rape of Europa mk93 1632 Oil on panel 24 1/2x30 1/3in J.Paul Getty Museum,Malibu
24604 The rape of Ganymede (mk33) Rembrandt The rape of Ganymede (mk33) 1635 Canvas 177x129cm Signed and dated
50285 The Rat-Catcher Rembrandt The Rat-Catcher mk210 1632 14x12.5cm
24627 The Rest on the Flight into Egypt (mk33) Rembrandt The Rest on the Flight into Egypt (mk33) 1647 Oak panel 34x48cm
34425 The Resurrection of Christ Rembrandt The Resurrection of Christ mk93 c.1639 Oil on canvas on panel 36 3/8x27 1/8in Alte Pinakothek, Munich
34554 The Resurrection of Christ Rembrandt The Resurrection of Christ mk93 c.1635-39 Oil on canvas on panel 91.9x67cm Munich,Bayerische Staatsgemalde sammlungen
34545 The Return of the Prodigal Son Rembrandt The Return of the Prodigal Son mk93 c.1666/69 Oil on canvas 262x206cm St.Petersburg.Hermitage
3385 The Return of the Prodigal Son Rembrandt The Return of the Prodigal Son 1668-69 The Hermitage, St Petersburg
8790 The Return of the Prodigal Son Rembrandt The Return of the Prodigal Son c. 1669 Oil on canvas, 262 x 206 cm The Hermitage, St. Petersburg
34524 The Return of the Prodigal Son Rembrandt The Return of the Prodigal Son mk93 c.1666-68 Oil on canvas 103 1/8x81 1/8in Hermitage,St Petersburg
34592 The Return of the Prodigal son Rembrandt The Return of the Prodigal son mk93 Hermitage Museum,St.Petersburg
40517 The Return of the Prodigal son Rembrandt The Return of the Prodigal son mk156 1668 Oil on canvas 262x205cm The State Hermitage Museum
41046 The Return of the Prodigal Son Rembrandt The Return of the Prodigal Son mk159 Oil on canvas 262x205cm
60463 The Return of the Prodigal Son Rembrandt The Return of the Prodigal Son The Return of the Prodigal Son, c. 1669
8791 The Return of the Prodigal Son (detail) Rembrandt The Return of the Prodigal Son (detail) c. 1669 Oil on canvas The Hermitage, St. Petersburg
8792 The Return of the Prodigal Son (detail) Rembrandt The Return of the Prodigal Son (detail) c. 1669 Oil on canvas The Hermitage, St. Petersburg
8794 The Return of the Prodigal Son (detail) Rembrandt The Return of the Prodigal Son (detail) c. 1669 Oil on canvas The Hermitage, St. Petersburg
8795 The Return of the Prodigal Son (detail) Rembrandt The Return of the Prodigal Son (detail) c. 1662 Oil on canvas The Hermitage, St. Petersburg
8793 The Return of the Prodigal Son (detail) ERY Rembrandt The Return of the Prodigal Son (detail) ERY c. 1669 Oil on canvas The Hermitage, St. Petersburg
3372 The Rich Old Man from the Parable Rembrandt The Rich Old Man from the Parable 1627 Gemaldegalerie, Berlin
3405 The Risen Christ Appearing to Mary Magdalen Rembrandt The Risen Christ Appearing to Mary Magdalen 1638 Collection of Queen Elizabeth II, Buckingham Palace
84992 The Risen Christ Appearing to Mary Magdalen Rembrandt The Risen Christ Appearing to Mary Magdalen 1638(1638) Medium Oil on wood cyf
8762 The Risen Christ Appearing to Mary Magdalen st Rembrandt The Risen Christ Appearing to Mary Magdalen st 1638 Oil on wood, 61 x 49,5 cm Royal Collection, Buckingham Palace, London
60455 The Risen Christ Appearing to Mary Magdalen, Rembrandt The Risen Christ Appearing to Mary Magdalen, The Risen Christ Appearing to Mary Magdalen, 1638
34520 The Risen Christ Appearing to Mary Magdalene Rembrandt The Risen Christ Appearing to Mary Magdalene mk93 1638 Oil on panel 24x19 1/2in
34519 The Risen Christ at Emmaus Rembrandt The Risen Christ at Emmaus mk93 1648 Oil on panel 26 3/4x25 5/8in Louvre,Paris.
60035 The Roman Daughter Rembrandt The Roman Daughter Rembrandt Peale, The Roman Daughter, 1811
42033 The Sacred Family with angeles Rembrandt The Sacred Family with angeles mk166 Toward 1665 Painting al I wave Museum of the Ermitage San Petersburgo
8781 The Sacrifice of Abraham Rembrandt The Sacrifice of Abraham 1635 Oil on canvas, 193 x 133 cm The Hermitage, St. Petersburg
72261 The sacrifice of Abraham Rembrandt The sacrifice of Abraham 1635 Oil on canvas 193.5 X 132.8 cm (76.18 X 52.28 in) cjr
3380 The Sacrifice of Isaac Rembrandt The Sacrifice of Isaac 1635 The Hermitage, St.Petersburg
34459 The Sacrifice of Isaac Rembrandt The Sacrifice of Isaac mk93 1635 Oil on canvas 76 1/5x52 1/4in Hermitage,St.Petersburg
51765 The Sacrifice of Isaac Rembrandt The Sacrifice of Isaac nn09 1634 Oil on canvas 158x117cm
24540 The Sampling Officials of the Amsterdam Drapers' Guild (mk33) Rembrandt The Sampling Officials of the Amsterdam Drapers' Guild (mk33) 1662 Canvas, 191.5x279cm Signed,on the table carpet, in the centre 1662 and,probably by a later hand,top right,on ther wall,
24009 The Shipbuilder and his Wife (mk25) Rembrandt The Shipbuilder and his Wife (mk25) 1633
34443 The Shipbuilder Jan Rijksen and His Wife Griet Jans Rembrandt The Shipbuilder Jan Rijksen and His Wife Griet Jans mk93 1633 Oil on canvas 45x66 1/2in
39057 The Sisters Rembrandt The Sisters mk140 1826 Oil on canvas 107x83cm
71278 The Sisters (Eleanor and Rosalba Peale) Rembrandt The Sisters (Eleanor and Rosalba Peale) ca. 1826(1826) Oil on canvas 107 x 83 cm (42.13 x 32.68 in)
21745 The Slaughterd Ox (mk08) Rembrandt The Slaughterd Ox (mk08) 1655 Oil on Panel, 94x67cm Paris,Musee National du Louvre
33708 The Slaughtered Ox Rembrandt The Slaughtered Ox mk86 1665 Oil on panel 94x67cm Paris,Musee National du Louvre
34557 The So called Polish Rider Rembrandt The So called Polish Rider mk93 c.1655 Oil on canvas 116.8x134.9cm New York
24608 The Standard-earer (mk33) Rembrandt The Standard-earer (mk33) 1636 Canvas 118.8x96.8cm Signed and dated
34480 The Staughtered Ox Rembrandt The Staughtered Ox mk93 Oil on panel 28 7/8x20 3/8in Glasgow Art Gallery and Museum
90980 The Stoning of saint Stephen Rembrandt The Stoning of saint Stephen oil on canvas, 89 x 123 cm, Fine Arts Museum, Lyon. Date 1625(1625) cyf
34412 The Supper at Emmaus Rembrandt The Supper at Emmaus mk93 c.1628 Paper on panel 14 3/4x16 5/8in Musee Jacquemart-Andre Paris
82469 The Supper at Emmaus Rembrandt The Supper at Emmaus 1629 Medium Oil on panel Dimensions 37.4 x 42.3 cm (14.7 x 16.7 in) cyf
20510 The Supper at Emmaus (mk05) Rembrandt The Supper at Emmaus (mk05) 1648 Wood 27 x 25 1/2 ''(68 x 65 cm)Acquired in 1777
34542 The Syndics Rembrandt The Syndics mk93 1661-62 Oil on canvas 75 3/8x109 7/8in Rijksmuseum,Amsterdam
21748 The Syndics of the Amsterdam Clothmakers'Guild (mk08) Rembrandt The Syndics of the Amsterdam Clothmakers'Guild (mk08) 1662 Oil on canvas, 191.5x279cm Amsterdam,Rijksmuseum
60461 The Syndics of the Clothmakers Guild, Rembrandt The Syndics of the Clothmakers Guild, The Syndics of the Clothmakers' Guild, 1662
50243 The tailor-s Workship Rembrandt The tailor-s Workship mk210 1661 canvas 66x53cm
42711 The three crosses Rembrandt The three crosses MK169 ca. 1660 State iv. Dry needle and etching on paper 38.4x45cm
42712 The three crosses Rembrandt The three crosses MK169 detail of State III MK169 1653 British Museum Rewarded
63956 The Three Crosses Rembrandt The Three Crosses 1653 Drypoint and burin printed on vellum, 381 x 438 mm Metropolitan Museum of Art, New York Rembrandt's romance with drypoint in the 1650s and 1660s is one of the important milestones in the history of printmaking. His inventiveness in this medium led to the creation of compositions that offered more complex visual information and variety of drama than previously had been imagined, and whereas earlier intaglio prints had been translucent and in general rather bodiless, Rembrandt's had a structure and richness of surface that approximate many of his great oil paintings. Moreover, they are illumined by an expressive power that never fails to pierce to the heart of things, whether the subject be, as it is here, a momentous scene from Scripture or the simplest study of still life. , Artist: REMBRANDT Harmenszoon van Rijn , The Three Crosses (second state) , 1601-1650 , Dutch , graphics , religious
50257 The Triumph of Mordercai Rembrandt The Triumph of Mordercai mk210 c.1641 17.5x21.5cm
90647 The Virgin of Sorrow Rembrandt The Virgin of Sorrow oil on canvas, 107 x 81 cm. 1661 cjr
43142 The Woman Taken in Adultery Rembrandt The Woman Taken in Adultery mk170 1644 Oil on oak 83.3x65.4cm
86815 The Woman taken in Adultery Rembrandt The Woman taken in Adultery 1644(1644) Medium Oil on oak panel cyf
50606 Three People Rembrandt Three People mk213 Oil on canvas
34509 Titus Rembrandt Titus mk93 c.1658 Oil on canvas 26 1/2x21 3/4in
34566 Titus Rembrandt Titus mk93 c.1658 Oil on canvas 67.3x55.2cm London
24553 Titus (mk33) Rembrandt Titus (mk33) Rotterdam,Museum Boymans-van Beuningen
24646 Titus (mk33) Rembrandt Titus (mk33) Paris Musee du Louvre
34514 Titus at His Desk Rembrandt Titus at His Desk mk93 1655 Oil on canvas 30 1/3x24 3/4in Museum Boymans van Beuningen,Rotterdam
34548 Titus at His Desk Rembrandt Titus at His Desk mk93 1655 Oil on canvas 77x63cm Rotterdam,Museum Boymans-van Beuningen
24632 Titus at his Desk (mk33) Rembrandt Titus at his Desk (mk33) 1655 Canvas 77x63cm Signed and dated
8814 Titus f Rembrandt Titus f 1655 Oil on canvas, 77 x 63 cm Museum Boymans-van Beuningen, Rotterdam
34513 Titus in a Monk-s Habit Rembrandt Titus in a Monk-s Habit mk93 1660 Oil on canvas 31 1/4x261/2in
34515 Titus Reading Rembrandt Titus Reading mk93 c.1656 Oil on canvas 27 3/4x25 1/5in Kuntsthistorisches Museum,Vienna
24631 Titus Reading (mk33) Rembrandt Titus Reading (mk33) Vienna,Kunsthistorischs Institut (mk33)
8813 Titus Reading du Rembrandt Titus Reading du 1656 Oil on canvas, 70,5 x 64 cm Kunsthistorisches Museum, Vienna
83586 Titus van Rijn Rembrandt Titus van Rijn um 1656/1657 Medium Oil on canvas cyf
93163 Titus van Rijn, reading Rembrandt Titus van Rijn, reading Oil on canvas Dimensions Deutsch: rechts etwas beschnitten: 70,5 x 64 um 1656/1657 cjr
34411 Tobit Accuses Anna of Stealing the Kid Rembrandt Tobit Accuses Anna of Stealing the Kid mk93 1626 Oil on panel 15 3/4 11 3/4in Rijksmuseum,Amsterdam
24568 Tobit and Anna with the Kid (mk33) Rembrandt Tobit and Anna with the Kid (mk33) 1626 Amsterdam,Rijksmuseum
84083 Tobit and Anna with the Kid goat Rembrandt Tobit and Anna with the Kid goat 1626 Medium Oil on panel Dimensions 39.5 x 30 cm (15.6 x 11.8 in) cyf
84192 Tobit and Anna with the Kid goat Rembrandt Tobit and Anna with the Kid goat 1626(1626) Medium Oil on panel cyf
81754 Tobit's Wife with the Goat Rembrandt Tobit's Wife with the Goat Date 1645(1645) Medium Oil on mahogany panel Dimensions Height: 20 cm (7.9 in). Width: 27 cm (10.6 in). cjr
67796 Tote Pfauen Rembrandt Tote Pfauen Technique Oil on canvas Dimensions 145 X 135.5 cm (57.09 X 53.35 in)
93228 Touch Rembrandt Touch 1624-1625 Medium oil on panel Dimensions 21.6 x 17.7 cm (8.5 x 7 in) cjr
33709 Tthe Syndics of the Amsterdam Rembrandt Tthe Syndics of the Amsterdam mk86 Clothmakers'Guild 1662 Oil on canvas 191.5x279cm Amsterdam,Rijksmuseum
56057 two lod men disputing Rembrandt two lod men disputing mk247 1628,oil on panel 29x23.5 in,72x60 cm,national gallery of victoria,melbourne,australia
34419 Two Scholars Rembrandt Two Scholars mk93 1628 Oil on panel 28 1/2x3 1/2in National Gallery of Victoria Melbourne
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Rembrandt
1778-1860 Rembrandt Peale Galleries Rembrandt Peale (February 22, 1778 ?C October 3, 1860) was a 19th century American artist that received critical acclaim for his portraits of presidents George Washington and Thomas Jefferson. Although modern art critics would consider Peale??s artwork as French neoclassical, its dark and stylized characteristics are similar to 15th and 16th century paintings. Rembrandt Peale was born the third of six surviving children (eleven had died) to his mother, Rachel Brewer, and father, Charles Willson Peale in Bucks County, Pennsylvania, on February 22, 1778. The father, Charles, also a notable artist, taught each child to paint scenery and portraiture, and Rembrandt was no exception. Charles tutored Rembrandt about the importance of having a strong mind from learning arts and sciences. At the age of eight, Rembrandt discovered drawing, and at thirteen, painted his first known self-portrait. Later on in his life, Rembrandt Peale "often showed this painting to young beginners, to encourage them to go from 'bad' to better..." like his steady progressions to become a successful portraitist. A year after his mother??s death and remarriage of his father, Rembrandt Peale left the school of the arts, thereby applying his time to completing his first ever self-portrait at the age of 13. The canvas illustrates early mastery of a young aspiring artist, seeming very mature. The clothes, however give the notion that Peale over-exaggerated what a 13 year old would look like. This style demonstrates early forms of neoclassicism by the looks of Peale's angel-like hair, the way it waves and curls in such a fashion so as to depict an angel from a general Renaissance artist's works of art. In July of 1787, Charles Willson Peale introduced his son Rembrandt to George Washington, where the young aspirant artist watched his father paint the remarkable figure of the country. In 1795, at the age of 17, Rembrandt painted an aging Washington, though the painter had depicted the politician as far more aged than the original facial characteristics. It did, nevertheless attain praise and Rembrandt had begun his debut. At the age of 20, Rembrandt married 22-year-old Eleanor May Short (1776-1836) at St. Joseph's Catholic Church in Philadelphia. During their marriage, Rembrandt and Eleanor had nine children: Rosalba, Eleanor, Sarah Miriam, Michael Angelo, and Emma Clara among them. In 1822, Peale moved to New York City where he embarked on an attempt to paint what he hoped would become the "standard likeness" of Washington. He studied portraits by other artists including John Trumbull, Gilbert Stuart and his own father, as well as his own 1795 picture which had never truly satisfied him. His resulting work Patriae Pater, completed in 1824, depicts Washington through an oval window, and is considered by many to be second only to Gilbert Stuart's iconic Athenaeum painting of the first president. Peale subsequently attempted to capitalize on the success of what quickly became known as his "Porthole" picture. Patriae Pater was purchased by Congress in 1832 and still hangs in the U.S. Capitol. Later on, Peale made over 70 detailed replicas of the same "father of our country", the first President of the United States. Peale continued to paint other noted portraits, such as those of the third president Thomas Jefferson while he was in office (1805), and later on a portrait of Chief Justice John Marshall.
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