Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Here are all the paintings of Thomas 14

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
36115 William and his Model Thomas William and his Model mk108 1908 Watercolor 89.5x120cm
49369 William Pitt Thomas William Pitt mk197 Britain-s war-weary Prime Minister Ireland,he knew,was the weakest link in Britain-s line of defence against France
95069 William Rush and His Model Thomas William Rush and His Model Oil on canvas, 51.1 cm x 66.3 cm cyf
4006 William Rush Carving his Allegorical Figure of the Schuylkill River Thomas William Rush Carving his Allegorical Figure of the Schuylkill River 1876-77 Philadelphi Museum of Art
71003 William Rush Carving His Allegorical Figure of the Schuylkill River Thomas William Rush Carving His Allegorical Figure of the Schuylkill River ca. 1908(1908) Oil on canvas 91.3 x 121.5 cm (35.94 x 47.83 in
72129 William Rush Carving His Allegorical Figure of the Schuylkill River Thomas William Rush Carving His Allegorical Figure of the Schuylkill River Date ca. 1908(1908) Medium Oil on canvas Dimensions 91.3 X 121.5 cm (35.94 X 47.83 in) cyf
45383 William Rush schnitzt die allegorische Figur des Schuylkill River Thomas William Rush schnitzt die allegorische Figur des Schuylkill River mk181 1877 Ol auf Leinwand,aufgezogen auf Prebpappe 51.1x66.4cm
49404 William Sadler-s dramatic reconstruction of a calvary charge in 1798 Thomas William Sadler-s dramatic reconstruction of a calvary charge in 1798 mk197 painted in the 1880s The Hessians were German mercenaries,notorious for atrocities against unarmed men and women
94458 William Wilberforce Thomas William Wilberforce 1828(1828)
36102 William-s Wife Thomas William-s Wife mk108 1900 Watercolor 246x183cm
51387 Winnipiseogee Lake Thomas Winnipiseogee Lake mk218 1830 10.3x13.7cm
67798 Winter in the Rockies Thomas Winter in the Rockies Source scan of painting
77550 WLA lacma Thomas Cole Il Penseroso Thomas WLA lacma Thomas Cole Il Penseroso WLA lacma Thomas Cole Il Penseroso cjr
77540 WLA lacma Thomas Hill Emerald Bay Lake Tahoe Thomas WLA lacma Thomas Hill Emerald Bay Lake Tahoe WLA lacma Thomas Hill Emerald Bay Lake Tahoe cjr
82188 wohl aus der Ostschweiz Thomas wohl aus der Ostschweiz 1794(1794) Medium Oil on canvas cyf
49417 Wolfe Tone in the Uniform of a French Adjutant general as he apeared at his court-martial in Dublin Thomas Wolfe Tone in the Uniform of a French Adjutant general as he apeared at his court-martial in Dublin mk197 He had no illusions of what was in store for him
33817 Woman in Blue Thomas Woman in Blue mk86 before 1780 Oil on canvas 76x64cm St Petersburg,Hermitage
77571 Woman in Blue Thomas Woman in Blue Oil on canvas 76 ?? 64 cm (29.9 ?? 25.2 in) cjr
79528 Woman in Blue Thomas Woman in Blue Oil on canvas 76 x 64 cm (29.9 x 25.2 in) Late 1770s - early 1780s cjr
79602 Woman in Blue Thomas Woman in Blue Oil on canvas Late 1770s - early 1780s 76 x 64 cm (29.9 x 25.2 in) cjr
21937 Woman in Blue (mk08) Thomas Woman in Blue (mk08) 1780 Oil on canvas 76x64cm St Petersburg,Hermitage
1319 Wooded Landscape with Mounted Drover Thomas Wooded Landscape with Mounted Drover 1780
40904 Wooded Landscape with River Thomas Wooded Landscape with River mk158 mid 1740s
50562 Worker at the noon Thomas Worker at the noon mk212 1880 Oil on canvsa 43.2x60.6cm
36077 Write Master Thomas Write Master mk108 1882 76x87cm
37643 Yosemite Valley,Vernal Falls Thomas Yosemite Valley,Vernal Falls mk127 30x20 Oil on canvas
19222 Zealand Landscape Thomas Zealand Landscape Open Country in North Zealand, 1842, oil on canvas, Statens Museum for Kunst, Copenhagen.
56927 Zigzag bend Thomas Zigzag bend mk250 Year in 1836. Cloth on canvas, 130.8 x 193 cm. The Metropolitan Museum of Art in New York.
45382 Zwishchen den Runden Thomas Zwishchen den Runden mk181 1899 Ol auf Leinwand 127.3x101.3cm
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Thomas
1815-1879 French Thomas Couture Location French painter and teacher. A student of Antoine-Jean Gros in 1830-38 and Paul Delaroche in 1838-9, he demonstrated precocious ability in drawing and was expected to win the Prix de Rome. He tried at least six times between 1834 and 1839, but achieved only second prize in 1837 (entry untraced). Disgusted with the politics of the academic system, Couture withdrew and took an independent path. He later attacked the stultified curriculum of the Ecole des Beaux-Arts and discouraged his own students from entering this institution. He first attained public notoriety at the Paris Salon with Young Venetians after an Orgy (1840; Montrouge, priv. col., see Boime, p. 85), the Prodigal Son (1841; Le Havre, Mus. B.-A.) and the Love of Gold (1844; Toulouse, Mus. Augustins). These early canvases are treated in a moralizing and anecdotal mode; the forms and compositional structures, like the debauched and corrupt protagonists, are sluggish and dull. Yet what made his work seem fresh to the Salon audience was his use of bright colour and surface texture derived from such painters as Alexandre-Gabriel Decamps and Eugene Delacroix, while his literary bent and methodical drawing demonstrated his mastery of academic tradition. The critics Thophile Gautier and Paul Mantz (1821-95) proclaimed him as the leader of a new school that mediated between the old and the new, and looked to him for a revitalization of Salon painting. The air of compromise his works projected made him appear a cultural representative of the juste milieu policies of Louis-Philippe.
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