Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Here are all the paintings of William henry hunt 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
25982 Chaffinch Nest and  May Blossom (mk46) William henry hunt Chaffinch Nest and May Blossom (mk46) Watercolour and bodycolour 24.1x37.5cm London,Courtauld Institute Galleries
26139 Cow Boy (mk47) William henry hunt Cow Boy (mk47) SPWC 1829 Watercolour and gum 360x261mm Manchester Art Gallery
25266 Primroses and Grapes and an Apple on a mossy Bank (mk37) William henry hunt Primroses and Grapes and an Apple on a mossy Bank (mk37) watercolour heightened with bodycolour 4 5/8x6 1/2in
26141 The Maid and the Magpie (mk47) William henry hunt The Maid and the Magpie (mk47) SPWC 1834 Watercolur and bodycolour 441x569mm Cecil Higgins Art Gallery,Bedford
25979 The Outhouse (mk46) William henry hunt The Outhouse (mk46) 1838 Watercolour and bodycolour 54x74.9cm Cambrideg,Fitzwilliam Museum
26102 View of Windsor Castle (mk47) William henry hunt View of Windsor Castle (mk47) SPOWC 1814 Oil on canvas 508x660mm Anglessy Abbey

William henry hunt
1790-1864 was an English watercolour painter. He was born near Long Acre, London, and was apprenticed in about 1805 to John Varley, the landscape-painter, with whom he remained five or six years. He exhibited three oil pictures at the Royal Academy in 1807. He became connected with the Society of Painters in Water Colours at its beginning, and was elected an associate in 1824 and a full member in 1827. Until the year of his death, he was one of the most prolific contributors to the Society's exhibitions. Many years of Hunt's uneventful but industrious life were spent at Hastings. He died of apoplexy. Hunt was one of the creators of the English school of water-color painting. His subjects, especially those of his later life, are extremely simple; but, by the delicacy, humor and fine power of their treatment, they rank second to works of the highest art only. Considered technically, his works exhibit all the resources of the water-color painter's craft, from the purest transparent tinting to the boldest use of gouache, rough paper and scraping for texture. His sense of color is perhaps as true as that of any English artist. He was, says John Ruskin, all in all, the finest ever painter of still life. Several characteristic examples of Hunt's work, as the "Boy and Goat," "Brown Study and Plums," "Primroses and Birds' Nests" are in the Victoria and Albert Museum.
Albert Bierstadt
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