Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Giovanni Francesco Guercino
Angels Weeping Over the Dead Christ

ID: 01821

 Giovanni Francesco  Guercino Angels Weeping Over the Dead Christ
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 Giovanni Francesco  Guercino Angels Weeping Over the Dead Christ


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Giovanni Francesco Guercino

1591-1666 Italian Giovanni Francesco Guercino Galleries   Related Paintings of Giovanni Francesco Guercino :. | The Raising of Lazarus | Angels Weeping Over the Dead Christ | Semiramis Receiving Word of the Revolt of Babylon | Christ with the Woman Taken in Adultery | Virgin and Child with the Patron Saints of Modena |
Related Artists:
Felicien Rops
Belgian Symbolist Engraver, 1833-1898 was a Belgian artist, and printmaker in etching and aquatint. Rops was born in Namur in 1833, and was educated at the University of Brussels. Rops's forte was drawing more than painting in oils; he first won fame as a caricaturist. He met Charles Baudelaire towards the end of Baudelaire's life in 1864, and Baudelaire left an impression upon him that lasted until the end of his days. Rops created the frontispiece for Baudelaire's Les Épaves, a selection of poems from Les Fleurs du mal that had been censored in France, and which therefore were published in Belgium. Rops's association with Baudelaire and with the art he represented won his work the admiration of many other writers, including Theophile Gautier, Alfred de Musset, St phane Mallarm, Jules Barbey d'Aurevilly, and Josephin Peladan. He was closely associated with the literary movement of Symbolism and Decadence. Like the works of the authors whose poetry he illustrated, his work tends to mingle sex, death, and Satanic images.
HEEM, Cornelis de
Dutch painter (b. 1631, Leiden, d. 1695, Antwerpen). Son of Jan Davidsz. de Heem. He spent a great deal of his life in Antwerp, where he was taught by his father. Cornelis also worked in Utrecht in 1667, in nearby IJsselstein in 1676 and in The Hague from 1676 for more than ten years. His best works approach the quality of his father's, particularly in works executed during the decade starting in 1655. Cornelis's still-lifes can be distinguished by daring colour harmonies, sometimes with a strong blue. His compositions are often simpler: fruit-pieces, floral bouquets, festoons and garlands and sumptuous still-lifes,
Julius Adam
German 1826-1874






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