Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Giovanni Francesco Guercino
Semiramis Receiving Word of the Revolt of Babylon

ID: 01820

 Giovanni Francesco  Guercino Semiramis Receiving Word of the Revolt of Babylon
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 Giovanni Francesco  Guercino Semiramis Receiving Word of the Revolt of Babylon


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Giovanni Francesco Guercino

1591-1666 Italian Giovanni Francesco Guercino Galleries   Related Paintings of Giovanni Francesco Guercino :. | The Raising of Lazarus | Semiramis Receiving Word of the Revolt of Babylon | Christ with the Woman Taken in Adultery | Angels Weeping Over the Dead Christ | Virgin and Child with the Patron Saints of Modena |
Related Artists:
Axel Johan Fagerplan
Born 1788 Died 1865 Country Sweden
Henry Singleton
British Painter, 1766-1839,English painter and illustrator. His father died when he was young, and he was brought up by his uncle, the miniature painter William Singleton (d 1793). In 1782 he entered the Royal Academy Schools in London and in 1784 won a silver medal for a drawing from life, exhibiting at the Royal Academy for the first time the same year. He showed considerable promise and in 1788 won a gold medal for a painting inspired by John Dryden's ode Alexander's Feast that was especially praised by Reynolds. In 1793 Singleton was commissioned by the Royal Academy to paint the group portrait the Royal Academicians Assembled in their Council Chamber (London, RA). He soon became noted for his paintings inspired by the Bible and from literary sources, among them Manto and Tiresias (exh. 1792; London, Tate) from John Dryden's Oedipus, and for his depictions of contemporary historical events, of which the watercolour Design Commemorative of the Abolition of the Slave Trade (1807; London, BM) is an example. Many of his works were engraved in mezzotint and achieved a widespread popularity. He also painted portraits, the writer James Boswell (c. 1795; Edinburgh, N.P.G.) being one of his sitters. Many of Singleton's later works are inclined to be sentimental and were carelessly executed; they were often intended solely for engraving.
Lower Rhenish School
early fifteenth century






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