Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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ARCIMBOLDO, Giuseppe
Vegetables in a Bowl or The Gardener dggh

ID: 04845

ARCIMBOLDO, Giuseppe Vegetables in a Bowl or The Gardener  dggh
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ARCIMBOLDO, Giuseppe Vegetables in a Bowl or The Gardener  dggh


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ARCIMBOLDO, Giuseppe

Italian Mannerist Painter, ca.1530-1593 Italian painter, draughtsman and tapestry designer, active also in Austria and Bohemia. He came from a distinguished Milanese family that included a number of archbishops of the city; his father was the painter Biagio Arcimboldo. Giuseppe is first documented in 1549, working with his father for Milan Cathedral; he received payments until 1558 for supplying paintings, designs for an altar baldacchino and stained-glass windows for the cathedral: the Story of Lot and the Life of St Catherine in the south transept windows are usually attributed to him. He collaborated with Giuseppe Meda in designing the gonfalone of St Ambrose in Milan, probably sometime soon after 1558. In 1556 he received a commission to paint the south wall and vault of the south transept of Monza Cathedral, also in Lombardy, a work that must have been completed by 1562. Portions of a fresco of the Tree of Jesse on the south wall there can be attributed to him. In 1558 he was paid for designing tapestries for Como Cathedral (in situ). On the basis of stylistic comparison with the windows in Milan and the frescoes in Monza, the design of a tapestry representing St John the Baptist Preaching and Baptizing (Monza, Mus. Duomo) can be attributed to Arcimboldo. The Archbishop of Milan, Carlo Borromeo, probably paid for this tapestry.  Related Paintings of ARCIMBOLDO, Giuseppe :. | The Water | The Fire jhjhjh | Autumn fdfh | Vertemnus gfg | Vegetables in a Bowl or The Gardener dggh |
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Adrian Scott Stokes
RA (1854-1935) was an English landscape painter. Born in Southport, Lancashire, he became a cotton broker in Liverpool, where his artistic talent was noticed by John Herbert RA, who advised him to submit his drawings to the Royal Academy. He entered the Royal Academy Schools in 1872 and exhibited at the Academy from 1876. In that year went to France where he lived for 10 years, settling back in England in 1886, at Carbis Bay and joining the artists' colony at St Ives. Adrian Stokes was a landscape painter, concerned most with atmospheric effects, and later with decorative landscapes. He was the author of 'Landscape Painting' (1925). He became ARA in 1909 and RA in 1919, won medals at the Paris Exhibition and Chicago World Fair (1889), became first President of the St Ives Society of Arts (1890) and Vice President of the Royal Watercolour Society (1932). He married Marianne Preindlesberger of Graz, Austria, in 1884, while living in France. She became a well known artist under her married name of Marianne Stokes. An obituary of Adrian Stokes was published in The Times Monday 2 December 1935
GRANACCI, Francesco
Italian High Renaissance Painter, ca.1469-1543 was an Italian painter of the Renaissance. Born at Villamagna di Volterra, he trained in Florence in the studio of Domenico Ghirlandaio, and was employed painting frescoes for San Marco on commission of Lorenzo de'Medici. He is featured in Giorgio Vasari's Vite. His early works, such as the Enthroned Madonna between Saint Michael and John the Baptist (Staatliche Museen, Berlin), Adoration of the Child (Honolulu Academy of Arts) and four histories of Saint John the Baptist, were influenced by the style of Filippino Lippi. In 1508, Granacci went to Rome, where he and other artists helped his lifelong friend Michelangelo to transfer cartoons to the Sistine chapel ceiling. Returning to Florence, Granacci painted a Madonna with Child with Saints Francesco and Jerome for the Augustinian convent of San Gallo (now in the Gallery of the Academy), a Madonna della Cintola for the Company of San Benedetto Bigi, and in 1515 he participated in creating the decorations to celebrate the visit to Florence of Pope Leo X. In 1519, he painted a Madonna with Child and Saint John. Works of the years 1520-1525 betray a direct influence of Fra Bartolomeo, including a Madonna in throne between Saints Sebastiano and Francesco for Castelfiorentino and a Sacred Conversation for Montemurlo. An altarpiece of the Assumption is influenced by Pietro Perugino.
Ferencz Franz Eisenhut
1857-1903






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