Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Albert Bierstadt
A Storm in the Rocky Mountains

ID: 82104

Albert Bierstadt A Storm in the Rocky Mountains
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Albert Bierstadt A Storm in the Rocky Mountains


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Albert Bierstadt

German-born American Hudson River School Painter, 1830-1902 Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting. Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career. Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.  Related Paintings of Albert Bierstadt :. | Day-s_Beginning | View of the Parliament Buildings from the Grounds of Rideau Halls | California Spring | Wooded Hillside | The Trappers Camp |
Related Artists:
Willem van Nieulandt
(1584-1635) was a Dutch Golden Age painter and engraver from Antwerp. His father Adrien van Nieulandt the elder was born to a family of artists of Flemish origin from Antwerp. He probably moved with his family to Amsterdam in 1589 after the Siege of Antwerp, because they were Protestants. His three sons Willem van Nieulandt II (named for his uncle, also a painter), Adriaen van Nieulandt the younger, and Jacob van Nieulandt all became painters. According to Houbraken, Willem was a pupil of Roelant Savery in Amsterdam, and he left him to travel to Rome, where he became a student of Paulus Bril. He specialized in painting artistic ruins of monuments, arches, and temples, many of which he then engraved himself. He returned to Amsterdam (via Antwerp) in 1607, and became a respected poet there as well as Italianate painter.
David de Coninck
(ca. 1644 Antwerp - after 1701, Brussels), also known as Rammelaar was a Flemish painter of the Baroque period. David Koninck was born in Antwerp and studied there under Jan Fyt. After a few years in Paris, he staid in Rome from ca 1671 to 1694, where joined the Bentvueghels with the nickname Rammelaar (rattle). He is sometimes stated to have died in Rome in 1687; however, he returned to his home country and is last recorded becoming a member of the painters guild in Brussels in 1701. His pictures are chiefly landscapes with animals and still life. He is likely unrelated to the generally contemporary Dutch painters, Philip de Koninck, or Philips Koninck (5 November 1619, Amsterdam - buried 4 October 1688, Amsterdam) and the fellow townsman Salomon de Koninck. See Biography by Filippo Baldinucci.
David Henry Friston
(1820 - 1906) was a British illustrator and figure painter in the Victorian Era. He is best remembered as the creator of the first illustrations of Sherlock Holmes in 1887, as well as his illustrations of the controversial female vampire story Carmilla (1872). He is also remembered for his illustrations accompanying reviews of Gilbert and Sullivan operas and plays of W. S. Gilbert in The Illustrated London News and the Illustrated Sporting and Dramatic News in the 1870s and 1880s.






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