German-born American Hudson River School Painter, 1830-1902
Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting.
Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career.
Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance
Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices. Related Paintings of Albert Bierstadt :. | Palm Tree, Nassau by Albert Bierstadt | Indians Fishing | Haying, Conway Meadows | Grandeur of the Rockies | Salmon Fishing on the Cascapediac River |
Related Artists:Ottavio Leoni
Ottavio Leoni (1578 - 1630) was an Italian painter and printmaker of the early-Baroque, active mainly in Rome.
He was born in Rome, where he first trained with his father, Lodovico Leoni. He painted altarpieces for churches in Rome such as an Annunciation for Sant'Eustachio and a Virgin and child with St. Giacinto for Santa Maria della Minerva, and a Saints Charles, Francis, & Nicholas for Sante Urbano. He became a member, and later president, of the Accademia di San Luca and a Cavalieri of the Order of Christ, on which occasion he presented the church of the Academy the Martyrdom of St. Martina. He died in Rome. Ottavio Leoni was also the engraver of a set of portraits of painters. His portrait of Michelangelo Merisi Caravaggio is the only documented portrait of the painter by another artist.
His work is exhibited in places such as Fine Arts Museums of San Francisco; Museum of Fine Arts, Boston; National Gallery of Art; Bowes Museum; Courtauld Institute of Art; Los Angeles County Museum of Art; and Palazzo Ruspoli, Rome, Italy.oranien
han mordades 1584 pa uppdrag av filip . i ett hus som idag ar museum over det nederlandska frihetskriget
Italian Early Renaissance Sculptor and Architect, 1418-1503
Andrea Bregno was invited to move from Venice to Rome when the Venetian Paul II was elected Pope. During the pontificate of the Della Rovere Pope Sixtus IV he received many commissions and headed a large workshop, producing many wall tombs of cardinals and other figures of the papal curia with varying degrees of personal responsibility. He was famous among his contemporaries, and was compared to the Greek sculptor Polykleitos in the epitaph of his tomb in Santa Maria sopra Minerva. Raphael's father, Giovanni Santi, mentioned Bregno in the 1480s, in his biography of Federico da Montefeltro, duke of Urbino. Bregno often worked with Mino da Fiesole in Rome, and his refined Lombard manner was rendered more classical by the contact and by the example of Roman sculptures that were increasingly coming to light, of which Andrea Bregno was an early collector: a certain "Prospettivo Milanese", writing in 1499-1500 refers to a torso in the collection of a "Maestro Andrea" that seems to have been the Belvedere Torso.
He moved in humanist circles and was an esteemed friend of the humanist in Sixtus' circle, Bartolomeo Platina, the librarian of the Vatican Library. Bregno played a significant role in the standardization of an authentically classicizing style of epigraphy, in the inscriptions that accompany his tombs. In the Sistine Chapel he collaborated with Mino da Fiesole and Giovanni Dalmata to produce the little cantoria or choristers' gallery set into the wall, with its own coffered ceiling and carved marble balusters, and the marble screen.