Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Albert Bierstadt
Mount Hood, Oregon

ID: 02533

Albert Bierstadt Mount Hood, Oregon
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Albert Bierstadt Mount Hood, Oregon


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Albert Bierstadt

German-born American Hudson River School Painter, 1830-1902 Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting. Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career. Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.  Related Paintings of Albert Bierstadt :. | Bridal Veil Falls, Yosemite | California Redwoods | Mirror Lake, Yosemite Valley | Staubbach Falls, Near Lauterbrunnen, Switzerland | Bahamas Harbour |
Related Artists:
Elisabeth Warling
painted Strandvagen-Stockholm in 1874
James Baker Pyne
English Painter, 1800-1870 He was articled to a Bristol attorney, but around 1821 he took up painting and exhibited at the Bristol Gallery of Arts in 1824. Apparently self-taught, he worked closely with the Bristol artist Samuel Jackson (1794-1869) for a time and was influenced by the poetic landscapes of Francis Danby. In 1835 he moved to London and exhibited at the Royal Academy the following year. He showed seven pictures there altogether, but he also exhibited at the British Institution and showed 206 works at the Society of British Artists. Although technically accomplished, Pyne's work is curiously lacking in distinction. He imitated many artists but never found a style of his own. His early views of Bristol are among his best work, a good example being View of the Avon from Durdham Down (1829; Bristol, Mus. & A.G.). He also painted some lively coast scenes such as Whitby (Leicester, Mus. & A.G.). He was less successful when emulating J. M. W. Turner.
Jacopo Vignali
Italian painter who died on 03 August 1664 Italian painter. At an early age he entered the studio of Matteo Rosselli in Florence, and his first works, Virgin and Saints (1616; Florence, S Brigida, Santuario della Madonna del Sasso) and the ceiling painting Love of the Fatherland (1616; Florence, Casa Buonarroti), were influenced by Rosselli and Ludovico Cigoli. In 1616 he enrolled at the Accademia del Disegno in Florence, becoming an academician in 1622. In the 1620s he moved away from Rosselli's influence and developed a style distinguished by dramatic light effects, rich colour and painterly technique and by the expression of deep emotion. The decade opened with the Investiture of St Benedict (1620; Florence, Semin. Maggiore), one of a series of works painted in honour of St Benedict for the Confraternit? di S Benedetto Bianco, to which Vignali had belonged since 1614. Having learnt the technique of fresco painting from Rosselli, he also began to work in that medium and was involved in the decoration of the Casa Buonarroti throughout the decade, the ceiling fresco Jacob's Dream dating from 1621.






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