BRUEGEL, Pieter the Elder
Flemish Northern Renaissance Painter, ca.1525-1569
(born c. 1525, probably Breda, duchy of Brabant ?? died Sept. 5/9, 1569, Brussels) Greatest Netherlandish painter of the 16th century. Not much is known of his early life, but in 1551 he set off for Italy, where he produced his earliest signed painting, Landscape with Christ and the Apostles at the Sea of Tiberias (c. 1553). Returning to Flanders in 1555, he achieved some fame with a series of satirical, moralizing prints in the style of Hiëronymus Bosch, commissioned by an Antwerp engraver. He is best known for his paintings of Netherlandish proverbs, seasonal landscapes, and realistic views of peasant life and folklore, but he also took a novel approach to religious subject matter, portraying biblical events in panoramic scenes, often viewed from above. He had many important patrons; most of his paintings were commissioned by collectors. In addition to many drawings and engravings, about 40 authenticated paintings from his enormous output have survived. His sons, Peter Brueghel the Younger and Jan, the Elder Brueghel (both of whom restored to the name the h their father had abandoned), and later imitators carried his style into the 18th century. Related Paintings of BRUEGEL, Pieter the Elder :. | The Battle of Issus (mk05) | Peasant Wedding Feast | The Fall of Icarus (mk25) | Peasant wedding fg | Details of Peasant Wedding Feast |
Related Artists:Arkady Rylov
(Russian: 29 January 1870 - June 22, 1939) was a Russian and Soviet Symbolist painter.
Rylov was born in the village Istobenskoye, Vyatka gubernia. He was brought in the family of his stepfather, a notary (Rylov's father had a psychiatric illness). He moved to Saint Petersburg and studied at the Technical Design School of Baron Schtiglitz (1888-1891), then at the Imperial Academy of Arts under Arkhip Kuindzhi (1894-1897).
Rylov was a member of the Mir iskusstva movement and its spin-off Union of Russian Artists also a member of the Association of Artists of the Revolutionary Russia. He was a chairman of the Kuindzhi Society.
He started as a historical painter (his graduation work in the Imperial Academy of Arts was Assault of Pechenegs on a Slav village but became a predominately landscape painter. Still many of his paintings have some allusions with Russian history.
Many of his landscapes painted after the October Revolution were seen as symbols of the revolutionary Freedom. At that time he also painted some typical Socialist Realism compositions like Lenin in Razliv. He taught in the Academy of Arts. In his studio he created almost a small nature reserve. There lived squirrels, rabbits, monkey Manka and many wild birds (without cages) and two anthills. According to Mikhail Nesterov wild animals and birds loved Rylov and often came to his studio.
GUARIENTO d Arpo
Italian painter (active 1338-1368 in Padua)Juan van der Hamen y Leon
Spanish Baroque Era Painter, 1596-1631, was a Spanish painter, a master of the still life paintings, also called bodegones. During his lifetime, he was prolific and versatile, painting allegories, landscapes, and large-scale works for churches and convents. However, today he is remembered mostly for his still lifes. In the 1620s, He popularized still life painting in Madrid.Juan van der Hamen y (Gemez de) Leen was born in Madrid in 1596 but he was baptized late on April 8, 1596 in Madrid, therefore, he must had been born there just days before that date. He was the son of Jehan van der Hamen, a Flemish courtier, who had moved to Madrid from Brussels before 1586, and Dorotea Whitman Gemez de Leen, a half-Flemish mother of noble Toledan ancestry . Van der Hamen and his two brothers Pedro and Lorenzo (both of whom were writers) emphasized their Spanish roots by using all or part of their maternal grandmother's family name, Gemez de Leen.. The painter's father, Jan van der Hamen, had come to Spain, as an archer, to the court of Philip II were he settled, married, and his children were born. According to 18th-century sources, the artist's father had also been a painter, but there is no evidence for this. Juan van der Hamen inherited his father's honorary positions at court and also served as unsalaried painter of the king. Van der Hamen's artistic activity in the service of the crown is first recorded on 10 September 1619, when he was paid for painting a still-life for the country palace of El Pardo, to the north of Madrid.