German-born American Hudson River School Painter, 1830-1902
Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting.
Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career.
Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance
Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices. Related Paintings of Albert Bierstadt :. | Wooded Hillside | Surveyor's Wagon in the Rockies | Ein Sturm in den RockY Mountains,Mount Rosalie | Liberty Cap, Yosemite | Palm Tree, Nassau by Albert Bierstadt |
Related Artists:William James Muller
British Painter, 1812-1845, English landscape and figure painter, was born at Bristol, his father, a Prussian, being curator of the museum. He first studied painting under JB Pyne. His early subjects deal mainly with the scenery of Gloucestershire and Wales, and he learned much from his study of Claude, Ruysdael, and earlier landscape-painters. In 1833 he figured for the first time in the Royal Academy with his "Destruction of Old London Bridge--Morning," and next year he made a tour through France, Switzerland and Italy. Four years later he visited Athens, extending his travels to Egypt, and in the sketches executed during this period and the paintings produced from them his power and individuality are apparent. Shortly after his return he left Bristol and settled in London, where he exhibited regularly. In 1840 he again visited France, where he executed a series of sketches of Renaissance architecture, twenty-five of which were lithographed and published in 1841, in a folio entitled "The Age of Francis I. of France." In 1843 he accompanied, Frank Weston Benson
(March 24, 1862 - November 15, 1951) was an American Impressionist artist, and a member of the Ten American Painters.
Benson was born in Salem, Massachusetts. In 1879, he began study at the School of the Museum of Fine Arts, Boston under Otto Grundmann, and later at the Acad??mie Julian in Paris. Upon return to America, he would become an instructor at the School of the Museum of Fine Arts, Boston. Some of his best known paintings (Eleanor, Museum of Fine Arts, Boston; Summer, Rhode Island School of Design Museum) depict his daughters outdoors at Benson's summer home on the island of North Haven, Maine. He also produced numerous paintings and etchings of wildfowl.
Born into a successful merchant family, Benson lived in Salem for most of his life. At the Boston Museum school he befriended Edmund Charles Tarbell and Robert Reid, at the same time teaching drawing classes in Salem and painting landscapes during the summer. In 1883 he began his studies in Paris, and in the summer of 1884 painted at Concarneau, along with Willard Metcalf and Edward Simmons. His early paintings were conventional landscapes.Antoine Sallaert
(1585-1650) was a Flemish Baroque painter.
According to Houbraken his work survived in Brussels, where he lived and died. He was sorry he could not find more data on this artist. According to the RKD he was registered in the Brussels Guild of Saint Luke as a master in 1613 and used the monograms ASall f and AS entwined.