Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Albert Bierstadt
Ferns_and_Rocks_on_an_Embankment

ID: 95863

Albert Bierstadt Ferns_and_Rocks_on_an_Embankment
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Albert Bierstadt Ferns_and_Rocks_on_an_Embankment


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Albert Bierstadt

German-born American Hudson River School Painter, 1830-1902 Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting. Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career. Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.  Related Paintings of Albert Bierstadt :. | View of the Parliament Buildings from the Grounds of Rideau Halls | Bierstadt Albert Sacramento River Valley | Mountain Lake | Merced River in Yosemite | California Redwoods |
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Ary de Vois
was a Dutch Golden Age painter. Ary de Vois was the son of Alewijn de Vois from Utrecht, who was organist in the Pieterskerk, Leiden, in 1635. Ary became a pupil in Utrecht of Nikolaus Knepfer, who also taught Jan Steen. Ary then returned to Leiden to study with Abraham van den Tempel, who lived there between 1648 and 1660. De Vois joined the Leiden Guild of St Luke on 16 October 1653, paying dues until 1677. He was dean in 1662-64, headman in 1664-65 and dean again from 1667-68. He married Maria van der Vecht, on 5 February 1656. According to Houbraken his marriage caused a lull in his production, especially when he moved to Warmond where he took up fishing as a hobby. He had to move back to Leiden in order to keep his production levels high
Richard Jack
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Johan Christoffer Boklund
(15 July 1817 - 9 December 1880) was a Swedish history, genre, and portrait painter from Kulla-Gunnarstorp in Scania.He was the son of a gardener. At the age of fifteen, Boklund came to Lund, where he worked on illustrations for Sven Nilsson's works on Scandinavian fauna (under the supervision of Magnus Körner). He then became a student at the Royal Danish Academy of Fine Arts in Copenhagen where J. L. Lund was his teacher. In 1837, Boklund went to Stockholm and began studying at the Royal Swedish Academy of Arts. He made a living as a lithograph and drawing teacher, and produced several small genre paintings of the everyday life (such as Flicka med blomster (English: Girl with flowers) and Köksinteriör (English: Kitchen interior)) and history paintings of the 17th century (such as Gustaf Adolfs afsked från Maria Eleonora (English: Gustaf Adolf's farewell from Maria Eleonora), which was awarded with a medal at the academy). Together with fellow Swedish painter Johan Fredrik Höckert, Boklund traveled to Munich in Germany in 1846 and stayed there for eight years. During the summers he went on study trips to Bavaria, Tyrol, and northern Italy. During this period, Boklund primarily devoted his painting to the history genre with subjects from the 17th century, but he also made some paintings depicting picturesque and architectural interior. In 1853, he sent his painting Den nyfikne trumpetaren (English: The curious trumpet player) home to Sweden and it earned him a scholarship from the government. This allowed Boklund to move to Paris, where he worked at Thomas Couture's atelier from 1854 to 1855. In December 1855 he returned to Sweden.






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