Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Edward Henry Corbould,RI,RWS
Saul and the Witch of Endor (mk46)

ID: 25971

Edward Henry Corbould,RI,RWS Saul and the Witch of Endor (mk46)
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Edward Henry Corbould,RI,RWS Saul and the Witch of Endor (mk46)


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Edward Henry Corbould,RI,RWS

1815-1905 Painter, illustrator and sculptor, son of (2) Henry Corbould. A pupil of Henry Sass (1788-1844) and a student at the Royal Academy, he showed more wide-ranging interests than his father or uncle. He worked in watercolour and briefly in sculpture, winning gold medals for both from the Society of Arts (Fall of Phaeton, watercolour, 1834; St George and the Dragon, sculpture, exh. RA 1835; both untraced). He designed monumental figures for an unexecuted London County Council sculpture project for Blackfriars Bridge (1889), but he concentrated primarily on watercolours of literary and historical subjects, which he exhibited with the New Water-Colour Society from 1837 until 1898.   Related Paintings of Edward Henry Corbould,RI,RWS :. | Sunny Garden Corner in Neukastel (nn02) | Agony in the Garden | Election Night (mk43) | Sun | Suzanne of Bourbon Called Child at Prayer (mk05) |
Related Artists:
Franz Thomas Low
Lived in 18th centry.
Dominic Serres
British Painter, 1722-1793
Angelo Morbelli
Alessandria 1853-1918 Milan,Italian painter. He received his first lessons in drawing in Alessandria, and in 1867 he travelled on a local study grant to Milan, where he was based for the rest of his life. He enrolled at the Accademia di Brera and from 1867 to 1876 studied drawing and painting there under Raffaele Casnedi and Giuseppe Bertini, whose influence is seen in both the subject-matter and technique of his early works. These include perspectival views, anecdotal genre scenes and history paintings. In the Dying Goethe (1880; Alessandria, Pin. Civ.) the theatrical setting, enriched by a sophisticated execution and a well-modulated use of colour, derives from the teaching of Casnedi and Bertini, while the historic-romantic quality of this painting also recalls the style of Francesco Hayez.






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