Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Emilio Magistretti
Quasi aurora consurgens the Cathedral. General exterior view from the east

ID: 93066

Emilio Magistretti Quasi aurora consurgens the Cathedral. General exterior view from the east
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Emilio Magistretti Quasi aurora consurgens the Cathedral. General exterior view from the east


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Emilio Magistretti

(Milan, 1851 - 1936) was an Italian painter. Magistretti studied at the Brera Academy of Fine Arts from 1871 to 1875 under the guidance of Francesco Hayez and then accompanied him on his Italian journey of 1879. He worked initially in a range of different areas, from genre scenes to religious subjects and perspective painting, and successfully tried his hand at painting portraits, animals and landscapes at the turn of the century. He began to establish his reputation as an artist in 1880, when he was awarded a prize by the Ministry of Education, and became well known as a painter of moderately naturalistic portraits particularly appreciated by the middle-class establishment. An autobiography richly illustrated with reproductions of his most celebrated works was published in 1926.   Related Paintings of Emilio Magistretti :. | The Dream of Saint Catherine of Alexandria (detail) dfg | Fossickers | den hangdes hus | Spring | Fortuny-s Garden |
Related Artists:
Peter Cramer
(1726 - 1782) was a self-taught artist who prepared the drawings for the illustration of Norden's 'Travels in Egypt,' and then became a decorative and theatrical painter. Together with this occupation he executed popular Danish scenes in the style of Teniers, and several of his pictures were engraved by Haas, Kleve, and Clemens. He died at Copenhagen in 1782.
Antoine Rivalz
(1667, Toulouse - 1735) was a French painter. The son of Jean-Pierre Rivalz (who painted and designed the city's hôtel de ville), Antoine was the official painter to the town of Toulouse, a talented portraitist of the society of the city in the 18th century. He also produced a large number of drawings. Antoine Rivalz began his training in the studios of his father Jean-Pierre, the sculptor Marc Arcis and the artist Raymond Lafage. In his training, he was particularly interested in studying classical works and the Baroque Italian masters. From 1685 to 1687 he trained at the Academie royale de peinture et de sculpture in Paris. On his return to Toulouse he received his first two commissions. In 1687 he set out for Rome, where he stayed for more than ten years. In 1694 he won second prize at the Accademia di San Luca with a drawing of The fall of the giants, with first prize going to Antonio Balestra and Felice Nardi. In Rome he became friends with other artists such as Carlo Maratta, Luigi Garzi and Benedetto Luti, and was more and more in demand for commissions from families in both Rome and Toulouse. In 1703, he returned to Toulouse and was made painter of the city's hôtel de ville, a post he held until his death. Supported by an important studio, he received a large number of commissions - commemorative paintings, paintings of ordinance and armour, architectural projects, restorations. This post, however, allowed him above all to forge productive relations with the city's upper classes and benefit from a near-monopoly on public, religious and private commissions in the city. He married his first cousin Louise Rivalz, with whom he had six children, including the future artist Pierre Rivalz, known as the "chevalier Rivalz". In 1726 he set up Toulouse's first art school and in 1750 letters patent from Louis XV turned it into the Academie royale de peinture et de sculpture de Toulouse, the only one in France (after that in Paris) to be allowed to bear that title.
COXCIE, Michiel van
Flemish Northern Renaissance Painter, 1499-1592






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