Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Frederic E.Church
Salzburg,Austria,View of the Castle

ID: 26242

Frederic E.Church Salzburg,Austria,View of the Castle
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Frederic E.Church Salzburg,Austria,View of the Castle


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Frederic E.Church

1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.   Related Paintings of Frederic E.Church :. | Evening in the Tropics | Grand Manan Island,Bay of Fundy | Tamaca Palms | Our Banner in the Sky | Tropical Scenery |
Related Artists:
Parton, Ernest
American, 1845-1933
cornelius hoyer
Cornelius Höyer, född 1741, död 1804, var en dansk målare. Höyer studerade dels i Köpenhamn, dels i Paris och Italien samt var redan 1769, då han återkom hem, en ansedd konstnär inom sitt fack, miniatyrmåleriet. 1770 blev han hovminiatyrmålare och medlem av konstakademien. Från 1777 var han dennas sekreterare.
Samuel FB Morse
1791-1872,American painter and inventor. The son of a Calvinist minister, he began amateur sketching while a student at Yale College, New Haven, CT. After graduating in 1810, he returned to Charlestown, MA, to paint family portraits. In Boston in the same year he met Washington Allston, recently returned from Italy, under whose tutelage he executed his first history painting, the Landing of the Pilgrims at Plymouth (c. 1810-11; Boston, MA, Pub. Lib.). He joined Allston on his trip to London in 1811, enrolled in the Royal Academy Schools and also studied privately with Allston and Benjamin West. Morse Dying Hercules (1812-13; New Haven, CT, Yale U. A.G.), based on the pose and musculature of the Laokoon (Rome, Vatican, Mus. Pio-Clementino) and the theory evident in Allston Dead Man Restored to Life by Touching the Bones of the Prophet Elisha (1811-14; Philadelphia, PA Acad. F.A.), was critically acclaimed when exhibited at the Royal Academy and is indicative of Morse academic interests. After two trips in 1813 and 1814 to Bristol, where he painted a number of portraits and small subject pieces, Morse ended his period in England with another mythological history painting, the Judgement of Jupiter (1814-15; New Haven, CT, Yale U. A.G.).






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