Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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GENTILESCHI, Orazio
The Lute Player (mk08)

ID: 21512

GENTILESCHI, Orazio The Lute Player (mk08)
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GENTILESCHI, Orazio The Lute Player (mk08)


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GENTILESCHI, Orazio

Italian Baroque Era Painter, ca.1563-1639 Although he was eight years older than Caravaggio, he is nevertheless regarded as a Caravaggesque artist, so deeply was his mature style affected by his knowledge of the younger painter's art. His response to Caravaggio was intensely poetic, and none of Caravaggio's many gifted followers produced more beautiful pictures.   Related Paintings of GENTILESCHI, Orazio :. | Rest on the Flight into Egypt sdg | Sts Cecilia, Valerianus and Tiburtius dfgj | Annunciation seyh | David Contemplating the Head of Goliath fh | Cupid and Psyche dfhh |
Related Artists:
Emil Orlik
(July 21, 1870 - September 28, 1932) was born in Prague, which was at that time part of the Austro-Hungarian Empire, and lived and worked in Prague, Austria and Germany. He was a painter, an etcher and lithographer. In 1905 Emil Orlik moved to Berlin and took a post at the "School for Graphic and Book Art" of the Museum of Decorative Arts (Kunstgewerbemuseum), now part of the Berlin State Museums.
NOTKE, Bernt
German Sculptor, ca.1440-1509
Marco Marziale
Italian Painter, active ca.1492-1507,Italian painter. He was first recorded in 1492 as one of several assistants to Giovanni Bellini in the Doge's Palace in Venice; in an inscription on his earliest known work, a damaged Virgin and Child with Saints and a Donor (1495; Zadar, St Mary, Treasury), he called himself a pupil of Gentile Bellini. Visual confirmation of his close association with both Bellini brothers is provided by the rather large number of his signed and dated works, many of which are closely based on compositional motifs by Giovanni, but which in their linearity and angularity more closely resemble the style of Gentile. The influence of German art, and of Derer in particular, has often been noted in the sharply focused and densely packed details, the harsh modelling and the expressive ugliness found in much of Marziale's work.






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