Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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John Vanderbank
Portrait of a Lady in a Blue Dress, Sotheby's 1964

ID: 94395

John Vanderbank Portrait of a Lady in a Blue Dress, Sotheby's 1964
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John Vanderbank Portrait of a Lady in a Blue Dress, Sotheby's 1964


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John Vanderbank

John Vanderbank (9 September 1694 - 23 December 1739) was an English portrait painter and book illustrator, who enjoyed a high reputation for a short while during the reign of King George I, but who died relatively young due to an intemperate and extravagant lifestyle. Vanderbank was born in London, the eldest son of John Vanderbank Snr. His father was a Huguenot tapestry weaver, born in Paris, but who was forced to flee to Holland before coming to England where he became head of a Soho tapestry weaving factory. Vanderbank studied under Sir Godfrey Kneller at James Thornhill's art academy in Great Queen Street from 1711 until 1720, when he joined with Louis Cheron to found his own academy in St. Martin's Lane. The venture proved a failure, and in 1729 he went to France to avoid his creditors. On his return he entered "the liberties of the Fleet" - mansion houses near Fleet prison, London, in which certain privileged prisoners could serve out their sentences in return for payment. It was noted by George Vertue that "only intemperance prevented Vanderbank from being the greatest portraitist of his generation." He died of Tuberculosis in Holies Street, Cavendish Square, London, on 23 Dec. 1739, aged about 45, and was buried in Marylebone church.  Related Paintings of John Vanderbank :. | Landscape with Birds | landscape | Ezekiel Goldthwait | Clio | Portrait of Marguerite Khnopff |
Related Artists:
Salomon de Caus
b France, 1576; bur Paris, 28 Feb 1626,He was a Huguenot from the Dieppe region (Normandy). Between c. 1595 and 1598 he visited Italy, where he was strongly influenced by the gardens laid out c. 1570 by Bernardo Buontalenti at Pratolino, near Florence, and by their mechanical artifices. De Caus's work also reveals a knowledge of the gardens of the Villa d'Este in Tivoli. From c. 1598 to 1610 he was in Brussels, in the service of the Stadholder of the Netherlands, Albert, Archduke of Austria. There he was the engineer responsible for wells, fountains and the automatic works in the two grottoes (destr. 1768) in the garden of the Stadholder's residence. From 1610 he lived in England, moving in the artistic circle of Henry, Prince of Wales, to whom he taught drawing and for whom he built a picture gallery at Richmond. Together with Constantino de' Servi (1554-1622) he was engineer and supervisor of the waterworks at Richmond Palace. De Caus dedicated his first book, La Perspective (1612), to Prince Henry and included garden designs for the Prince in his second book, Les Raisons des forces movvantes (1615). He worked at several sites in England, including Somerset House in London, where he is thought to have erected a Parnassus, and at Greenwich Palace, Hatfield House and Gorhambury House (Herts) and Wilton House (Wilts). Nothing has survived of his work of this period.
Eldress Polly Jane Reed
b.1818 d.1881
Reinier Nooms
(c. 1623 - c. 1667), also known as Zeeman (Dutch for "sailor"), was a maritime painter known for his highly detailed paintings and etchings of ships. Nooms was born and died in Amsterdam. He started painting and drawing in his later years, following a rough, drunken life as a sailor. It is not known how he acquired his skill as an artist. His knowledge of ships is evident from his work: ships and foreign locations are depicted with high accuracy and in great detail, and served as an example to other artists of how to depict ships. A widely traveled artist, Nooms visited Paris, Venice and possibly Berlin, and also journeyed along the coast of North Africa. A favourite subject of his paintings were the Dutch victories in the Anglo-Dutch Wars. For instance, he painted the Amalia, the flagship of admiral Maarten Tromp, before the Battle of the Downs in 1639. This painting now hangs in the National Maritime Museum in Greenwich, UK. His painting of the Battle of Leghorn in 1653 is in the collection of the Rijksmuseum in Amsterdam. In the 1650s, Nooms made a series of etchings of ships and topographical views characterized by a high degree of detail and precision. These etchings served as an example to many artists. The 19th century French etcher Charles Meryon was highly influenced by Noom, whose etchings of Paris cityscapes inspired Meryon to his own series of Paris etchings. Meryon even dedicated some of this work to Nooms in poetic form.






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