Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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John Webber
Captain Cook, oil on canvas painting by John Webber

ID: 76775

John Webber Captain Cook, oil on canvas painting by John Webber
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John Webber Captain Cook, oil on canvas painting by John Webber


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John Webber

(1751-1793), Landscape painter, was an English artist best known for his images of early Alaska and Hawaii. Webber was born on October 6, 1751 in London, educated in Switzerland and studied painting at Paris[2]. Webber served as official artist on Captain James Cook??s third voyage of discovery around the Pacific (1776-1780) aboard HMS Resolution. At Adventure Bay in January 1777 he did drawings of "A Man of Van Diemen's Land" and "A Woman of Van Diemen's Land". He also did many drawings of scenes in New Zealand and the South Sea islands. On this voyage, during which Cook lost his life in a fight in Hawaii, Webber became the first European artist to make contact with Hawaii, then called the Sandwich Islands. He made numerous watercolor landscapes of the islands of Kauai and Hawaii, and also portrayed many of the Hawaiian people. Back in England in 1780 Webber exhibited around 50 works at Royal Academy exhibitions between 1784 and 1792, and was elected an associate of the Royal Academy in 1785 and R.A. in 1791. Most of his work were landscapes. Sometimes figures were included as in "A Party from H.M.S. Resolution shooting sea horses", which was shown at the academy in 1784, and his "The Death of Captain Cook" became well known through an engraving of it. Another version of this picture is in the William Dixson gallery at Sydney. Webber died in London in 1793.   Related Paintings of John Webber :. | Portrait of Poedooa | Portrait of Poedua | A Party from the Resolution shooting Sea-Horses | John Webber s oil painting Abbey Mill Shrewsbury | Captain Cook |
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Manuel da Costa Ataide
(1762 to 1830), was a Brazilian painter, sculptor, gilder and teacher. He was an important artist of the baroque school in Minas Gerais and had a major influence on painting in the region, with many students and followers. His method of composition, particularly in perspective works on church ceilings, continued to be used until the middle of the nineteenth century. Contemporary documents often refer to him as a teacher of painting. In 1818 Ataede tried without success to obtain official permission to found an art school in Mariana, his home town. He owned technical manuals and theoretical tracts such as Andrea Pozzo's "Perspectivae Pictorum Architectorum" from which he must have studied technique. His art is characterised by the use of bright colours, especially blue. He was a contemporary and colleague of Antonio Francisco Lisboa (Aleijadinho). In the period 1781 to 1818 he completed and gilded Aleijadinhoes images for the Sanctuary of Bom Jesus de Matosinhos in Congonhas.
Maximilien Luce
Maximilien Luce (March 13, 1858 - February 6, 1941) was a French Neo-impressionist artist. A printmaker, painter, and anarchist, Luce is best known for his pointillist canvases. He grew up in the working class Montparnasse, and became a painter of landscapes and urban scenes which frequently emphasize the activities of people at work. He was a member of the Groupe de Lagny with Leo Gausson, Émile-Gustave Cavallo-Peduzzi and Lucien Pissarro.
Jean-Baptiste Carpeaux
(May 11, 1827 - October 12, 1875) was a French sculptor and painter. Born in Valenciennes, Nord, son of a mason, his early studies were under François Rude. Carpeaux entered the Ecole des Beaux-Arts in 1844 and won the Prix de Rome in 1854, and moving to Rome to find inspiration, he there studied the works of Michelangelo, Donatello and Verrocchio. Staying in Rome from 1854 to 1861, he obtained a taste for movement and spontaneity, which he joined with the great principles of baroque art. Carpeaux sought real life subjects in the streets and broke with the classical tradition. While a student in Rome, Carpeaux submitted a plaster version of Pe - heur napolitain e la coquille, the Neapolitan Fisherboy, to the French Academy. He carved the marble version several years later, showing it in the Salon exhibition of 1863. It was purchased for Napoleon III's empress, Eugenie. The statue of the young smiling boy was very popular, and Carpeaux created a number of reproductions and variations in marble and bronze. There is a copy, for instance, in the Samuel H. Kress Collection in the National Gallery of Art in Washington D.C.. Some years later, he carved the Girl with a Shell, a very similar study. In 1861 he made a bust of Princess Mathilde, and this later brought him several commissions from Napoleon III.






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