Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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John callcott horsley,R.A.
St. Valentine's Day

ID: 94622

John callcott horsley,R.A. St. Valentine's Day
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John callcott horsley,R.A. St. Valentine's Day


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John callcott horsley,R.A.

1817-1903 English painter. A nephew of the landscape painter Augustus Wall Callcott, and later Isambard Kingdom Brunel's brother-in-law, he was born into the artistic establishment. He was educated at Henry Sass's Academy and at the Royal Academy. Although he executed two frescoes for the Houses of Parliament (The Spirit of Religion, 1847; London, House of Lords; Satan Wounded by Ithuriel's Lance, 1848; London, Pal. Westminster), his career began with portraiture. Success later came with literary subjects,  Related Paintings of John callcott horsley,R.A. :. | Presentation of Mary in the Temple dsg | In the Moliketer-s garden | Mary Magdalene sf | Fish Stall | The functions of the inverstidura of its Excelentisima |
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Herman af Sillen
painted Svenskt orlogsfartyg in 1901
John Singleton Copley
American Colonial Era Painter, 1738-1815 John Singleton Copley (1738[1] - 1815) was an American painter, born presumably in Boston, Massachusetts and a son of Richard and Mary Singleton Copley, both Irish. He is famous for his portrait paintings of important figures in colonial New England, depicting in particular middle-class subjects. His paintings were innovative in their tendency to depict artifacts relating to these individuals' lives.
Hendrick Terbrugghen
1588-1629 Dutch Hendrick Terbrugghen Galleries Dutch painter and draughtsman. He was, with Gerrit van Honthorst and Dirck van Baburen, one of the leading painters in the group of artists active in Utrecht in the 1620s who came to be known as the UTRECHT CARAVAGGISTI, since they adapted Caravaggio subject-matter and style to suit the Dutch taste for religious and secular paintings. Ter Brugghen was an important innovator for later Dutch 17th-century genre painting; his recognition as an unorthodox, but significant influence on the work of Johannes Vermeer and others is a relatively recent, 20th-century phenomenon.






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