Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Ludovico Cigoli
Self-Portrait

ID: 28995

Ludovico Cigoli Self-Portrait
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Ludovico Cigoli Self-Portrait


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Ludovico Cigoli

Italian Baroque Era Painter , 1559-1613 was an Italian painter and architect of the late Mannerist and early Baroque period, trained and active in his early career in Florence, and spending the last nine years of his life in Rome. Lodovico Cardi was born at Villa Castelvecchio di Cigoli, in Tuscany, whence the name by which he is commonly known. Initially, Cigoli trained in Florence under the fervid mannerist Alessandro Allori. Later, influenced by the most prominent of the Contra-Maniera painters, Santi di Tito, as well as by Barocci, Cigoli shed the shackles of mannerism and infused his later paintings with an expressionism often lacking from 16th century Florentine painting. For example, for the Roman patron, Massimo Massimi, he painted an Ecce Homo (now in Palazzo Pitti). Supposedly unbenknownst to any of the painters, two other prominent contemporary painters, Passignano and Caravaggio, had been requested canvases on the same theme. It is unclear if they are completely independent. Cigoli's painting seems to have been made with knowledge of Caravaggio's canvas; however, while Cigoli's work lacks the power of Caravaggio's naturalism, the background shade and sparse foreground shows how much he was moving away from crowded Florentine historical paintings. This work was afterwards taken by Bonaparte to the Louvre, and was restored to Florence in 1815. One of his early paintings was of Cain slaying Abel.  Related Paintings of Ludovico Cigoli :. | Les Maisons Cabassud a Ville-d'Avray (mk11) | Carl III. Philipp (1666 - 1742), Pfalzgraf bei Rhein zu Neuburg, seit 1716 Kurfurst von der Pfalz | Madonna and Child Attended by Angels | The Annunciation | Calling of St. Matthew |
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Isaac Cruikshank
English Illustrator, ca.1756-1811 Scottish painter and caricaturist, was born in Edinburgh. His sons Isaac Robert Cruikshank (1789-1856) and George Cruikshank also became artists, and the latter in particular achieved fame as an illustrator and caricaturist. Cruikshank is known for his social and political satire. His parents were Elizabeth Davidson (b. c.1725), daughter of a gardener, and Andrew Crookshanks (c.1725 Cc.1783), a former customs inspector dispossessed for his role in the Jacobite uprising of 1745. He studied with a local artist, possible John Kay (1742 C1826), and travelled with his master to London in 1783. He married Mary MacNaughton (1769 C1853) in 1788 and the couple had five known children, two of whom died in infancy. A daughter, Margaret Eliza, also a promising artist, died at the age of eighteen. Cruikshank's first known publications were etchings of Edinburgh "types", from 1784. He produced illustrations for books about the theatre, did the frontispiece for Witticisms and Jests of Dr Johnson (1791), and illustrated George Shaw's extensive General Zoology (1800 C26). His watercolours were exhibited, but in order to make a living it was more lucritive to produce prints and caricatures. He was responsive to the marketplace but firm in his dislikes of Napoleon and political radicals. He and Gillray developed the figure of John Bull, the nationalistic representation of a solid British yeoman. Publisher John Roach was a friend and patron, and he later worked with print dealer S. W. Fores and Johnny Fairburn. He also collaborated, with G. M. Woodward, and later, with his son George. Cruikshank died of alcohol poisoning at the age of fifty-five as a result of a drinking contest and is buried near his home in London.
John Skinner Prout
(1805-76), nephew of the famous English watercolourist Samuel Prout (1783-1852)
Francisco Camilo
Spanish painter (b. 1615, Madrid, d. 1673, Madrid) was an Italian painter of the Renaissance period. He was born at Bassano del Grappa near Venice, the eldest son of Jacopo Bassano and grandson of Francesco da Ponte the Elder. He studied with his father and worked in the Bassano family workshop along with his three brothers, including Giambattista and Girolamo. He moved to Venice where he ran the branch of the family business, and where he was employed to paint a series of historical pictures in the Doge's Palace, but prone to hypochondria and other ailments, committed suicide by throwing self-defenestration soon after his father's death in 1592.






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