Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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MASSYS, Cornelis
Crucifixion dh

ID: 08089

MASSYS, Cornelis Crucifixion dh
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MASSYS, Cornelis Crucifixion dh


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MASSYS, Cornelis

Flemish painter (1508-1550)  Related Paintings of MASSYS, Cornelis :. | The Story of Nastagio degli Onesti | Kritklippor in Normandie | Nude in front of a blue background | Maria Antonietta of Spain | Holy Family with St. Elizabeth, Zechariah, and the infant St. John the Baptist |
Related Artists:
Peck Sheldon
American portrait painter and artist b.1797 d.1868 American painter. A self-taught painter, he used his family as subjects in his early works, employing dark colours against flat backgrounds. After moving to Jordan, NY, in 1828 he used brighter colours and included more detail. He continued to paint on panel, almost always making half-length portraits characterized by such features as a broad brow, a wide, intense stare from detailed eyes and the use of a decorative brushstroke
Elisabeth Louise Viegg-Le Brun
Paris 1755-1842
Moran, Thomas
American Hudson River School Painter, 1837-1926 American painter and printmaker of English birth. His brothers Edward (1829-1901), John ( 1831-1902) and Peter (1841-1914) were also active as artists. His family emigrated from England and in 1844 settled in Philadelphia where Moran began his career as an illustrator. He was guided by his brother Edward, an associate of the marine painter James Hamilton, whose successful career afforded an example for Moran. Between the ages of 16 and 19 Moran was apprenticed to the Philadelphia wood-engraving firm Scattergood & Telfer; he then began to paint more seriously in watercolour and expanded his work as an illustrator. In the 1860s he produced lithographs of the landscapes around the Great Lakes. While in London in 1862 (the first of many trips to England), he was introduced to the work of J. M. W. Turner, which remained a vital influence on him throughout his career. Moran owned a set of the Liber studiorum and was particularly impressed by Turner's colour and sublime conception of landscape. With his wife, Mary Nimmo Moran (1842-99), an etcher and landscape painter, he participated in the Etching Revival, scraping fresh and romantic landscapes and reproductive etchings






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