Nils Schillmark (1745-1804)Aliases: Nils Schillmarch; Nils Schillmarck; Nils SkiellmarkProfessions: Portrait painter; Landscape painter; Painter. (b Skellefteå, northern Sweden, 1745; d 1804). Finnish painter of Swedish birth. The son of a crofter, he was apprenticed in Stockholm to Pehr Fjellström, an artist and military officer. It is possible that Schillmark also studied at the Swedish Royal Academy of Art. He accompanied Fjellström on journeys to Finland and eventually moved there in 1773, first staying in Viaborg, the fortress situated off the shore near Helsinki, and later moving to the mainland and settling in Helsinki. In 1777 he began to receive commissions for portraits, and from then on he spent most of his life as a travelling portrait painter. His sitters came from both the bourgeoisie and the landed gentry, but they were widely spread across southern and western Finland. Occasionally Schillmark also received other kinds of commissions, for example for an altarpiece for the old stone church in Hattula (in situ). From 1787 Schillmark lived permanently in the town of Loviisa, but he continued to tour the estates of the neighbouring countryside. His only landscape paintings to have been preserved are from this year and show the town of Heinola and its new residence for the governor of the Uusimaa and Häme districts. A few years later Schillmark produced a number of still-life paintings for this building. It is possible that he spent some time in Stockholm during this period.   Related Paintings of Nils Schillmark :. | Crucifixion | mucius scaevola infor konung porsenna | Landscape with red cloud | Wet Snow, Auvergne | Death |
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j. beraud
1849-1935 1849 - Saint Petersburg, Russia - 1935 Paris) Scenes of daily life painted by Jean Beraud reveal interest in Naturalism. Such diverse themes as crowds observing the funeral of Victor Hugo (see Carnavalet, Paris) or studies of the interior of a Parisian Bank Apartment reflect aspects of French society during the Third Republic.
Edward John Eyre
1815-1901,British colonial administrator. In Australia (1833?C45) he was a magistrate, explorer, and writer on Australian geography, and had a reputation for sympathy for the aborigines. After terms as lieutenant governor of New Zealand (1846?C53) and governor of St. Vincent (1854?C60), he became (1864) governor of Jamaica. He was recalled in 1866 after suppressing a black uprising the year before in which more than four hundred Jamaicans were executed. Eyre was accused of brutality and illegal acts, especially in the execution of George Gordon, a black member of the Jamaican legislature who had contravened the martial law imposed during the emergency. He was recalled in 1866. Several attempts, promoted by John Stuart Mill, Goldwin Smith, and Herbert Spencer, to try him for murder were forestalled by a committee of admirers, which included John Ruskin, Alfred Tennyson, Thomas Carlyle, and Charles Kingsley. An English grand jury declined to indict him, and a royal commission exonerated him, while criticizing his ??unnecessary rigour.?? The episode contributed to the fall of the government of Lord John Russell in 1866.
domenico chirlandaio
Domenico Ghirlandaio (1449 - 11 January 1494) was an Italian Renaissance painter from Florence. Among his many apprentices was Michelangelo. Ghirlandaio's full name is given as Domenico di Tommaso di Currado di Doffo Bigordi. The occupation of his father Tommaso Bigordi and his uncle Antonio in 1451 was given as 'setaiuolo a minuto,' that is, dealers of silks and related objects in small quantities. He was the eldest of six children born to Tommaso Bigordi by his first wife Mona Antonia; of these, only Domenico and his brothers and collaborators Davide and Benedetto survived childhood. Tommaso had two more children by his second wife, also named Antonia, whom he married in 1464. Domenico's half-sister Alessandra (b. 1475) married the painter Bastiano Mainardi in 1494. Domenico was at first apprenticed to a jeweller or a goldsmith, most likely his own father. The nickname Il Ghirlandaio (garland-maker) came to Domenico from his father, a goldsmith who was famed for creating the metallic garland-like necklaces worn by Florentine women. In his father's shop, Domenico is said to have made portraits of the passers-by, and he was eventually apprenticed to Alessio Baldovinetti to study painting and mosaic.