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POTTER, Paulus
Dutch Baroque Era Painter, 1625-1654
Son of Pieter Potter. He was related through his mother, Aechtie Pouwels (d 1636), to the wealthy and powerful von Egmont and Semeyns families, who held important offices in Enkhuizen and at the court in The Hague. He worked in his father's studio in Amsterdam during the 1630s and, like him, painted history subjects that show the strong influence of Claes Moeyaert, with whom Paulus may also have studied. In the painting Abraham Returning from Canaan he adapted the landscape setting from an etching by Moses van Uyttenbroeck and the figures from works by Moeyaert from over ten years earlier. Significantly, however, he redistributed the numerous animals and figures that Moeyaert had aligned evenly across the frontal plane; Potter placed them to one side, permitting a view into the deep distance where other animals can be seen. Potter followed his father more than Moeyaert in searching for ways to integrate his figures with the landscape, Related Paintings of POTTER, Paulus :. | Landscape with Shepherdess Shepherd Playing Flute (detail) ad | Two Drafthorses in Front of a Cottage (mk05) | Landscape with Shepherdess and Shepherd Playing Flute af | Resting Herd a | Four Bull | Related Artists: Louis-Philippe Crepin(1772-1851) was a French naval painter, one of the first Peintres de la Marine.
Crepin was notably a pupil of Joseph Vernet and Hubert Robert.
His Combat de la Bayonnaise contre l'Ambuscade, 1798, depicting the Action of 14 December 1798, is one of the main exhibits of the Musee national de la Marine.
Yevgeny Lanceray1875-1946 Pieter Wouwerman1623-1682
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All the Albert Bierstadt's Oil Paintings
Supported by oil paintings and picture frames

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