Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Sebastiano del Piombo
Jesus Carrying the Cross

ID: 28057

Sebastiano del Piombo Jesus Carrying the Cross
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Sebastiano del Piombo Jesus Carrying the Cross


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Sebastiano del Piombo

1485-1547 Italian Sebastiano del Piombo Galleries Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.  Related Paintings of Sebastiano del Piombo :. | San Giovanni Crisostomo Altarpiece | Martyrdom of St Agatha | Portrait of a Man | The Sacred Family with Holy Catalina, San Sebastian and an owner.the Holy | Salome with the Head of John the Baptist |
Related Artists:
George Tirrell
American, 1826-1877
MALLET, Jean-Baptiste
French Painter, 1759-1835,French painter. A pupil of Simon Julien in Toulon, he was then taught by Pierre-Paul Prud'hon in Paris. He exhibited at every Salon between 1793 and 1827, obtaining a second class medal in 1812 and a first class medal in 1817. He executed very few portraits (Chenier, Carcassonne, Mus. B.-A., is an exception), preferring to paint nymphs bathing and graceful classical nudes such as the Graces Playing with Cupid (Arras, Abbaye St Vaast, Mus. B.-A.). He established his reputation with gouache genre scenes of fashionable and often libertine subjects, always elegant and refined, in the style of Louis-Philibert Debucourt and Louis-Leopold Boilly, and remarkable for the delicacy and brilliance of their brushwork: for example At the Laundry Maid's and the Painful Letter (both Paris, Mus. Cognacq-Jay). They reveal a knowledge of 17th-century Dutch painting in the treatment of details (transparent crystal, reflections on silk or satin) as well as the choice of themes: Military Gallant (Paris, Mus. Cognacq-Jay). Mallet's meticulously precise paintings are one of the best records of fashionable French furnishings and interiors at the end of the 18th century and the beginning of the 19th.
Cristoforo Munari
(July 21, 1667 - June 3, 1720) was an Italian painter of the late-Baroque specializing in still life paintings. He was also known as Cristofano Monari. His initial training was in Reggio Emilia, his birthplace, and he came under the patronage of Rinaldo d'Este, Duke of Modena. In 1703-1706, he lived in Rome, then moved to Florence, where for about a decade he was attached to the court of the Medici. His still life paintings recall those of Evaristo Baschenis; however, the added disarray of porcelain, glass, and foodstuffs, suggest the hangover from the jovial surfeit of the Medici court. He painted also panoplies and war trophies. In 1715 he moved to Pisa where he worked almost exclusively in art restoration; he died in 1720. An exhibition of his paintings took place in 1998 in Reggio Emilia, where it attracted wide attention and was a national success.






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