Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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TINTORETTO, Jacopo
Christ before Pilate

ID: 41141

TINTORETTO, Jacopo Christ before Pilate
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TINTORETTO, Jacopo Christ before Pilate


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TINTORETTO, Jacopo

Birth Year:, 1518. Death Year:, 1594  Related Paintings of TINTORETTO, Jacopo :. | Judith and Holofernes ar | The Voluntary Subjugation of the Provinces | The Deposition ar | Joseph and Potiphar's Wife r | Saint George,The Princess and the Dragon |
Related Artists:
Palmer, Samuel
English, 1805-1881 English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery.
Cornelis de Wael
Cornelis de Wael (1592-1667) was a Flemish painter of the Baroque period, active mainly in Italy, specifically Genoa. He was born in Antwerp, the son of a painter, and died in Rome.
SACCHI, Andrea
Italian painter, Roman school (b. 1599, Nettuno, d. 1661, Roma).Italian painter and designer. He occupied an important position, midway between Annibale Carracci and Carlo Maratti, in the development of a more restrained, less decorative painting in 17th-century Rome, a trend that culminated in the 18th century with Pompeo Batoni. Sacchi trained with Francesco Albani, Carracci's student, and taught Maratti. His often expressed devotion to the art of Raphael and Carracci and his criticism of the views of Pietro da Cortona and Gianlorenzo Bernini made him, with Nicolas Poussin and Alessandro Algardi, one of the most significant representatives of a stylistic and aesthetic opposition to the more flamboyant, extrovert aspects of the High Baroque. Sacchi did not, however, share Poussin's passionate interest in Classical antiquity, nor was his mature work as cerebral. Yet his mature style, less richly coloured than his early manner and more restrained emotionally,






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