Italian High Renaissance Painter, ca.1485-1576 Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.  Related Paintings of Titian :. | Portrat eines Malers mit einer Palme | Backus met with the Ariadne | Selbstportrat | Saint Margaret | St Matthew |
Related Artists:
Giacomo Favretto
Abbandonata la bottega di falegname paterna, frequenti dal 1864 l'Accademia di Belle Arti di Venezia, dove le lezioni impartitegli misero in luce le qualita innate di pittore, evidenziate in una delle sue opere maggiori La lezione di anatomia (1873). Nel 1878 compi un viaggio a Parigi insieme a Guglielmo Ciardi. Il viaggio fu determinante per l'evoluzione della sua arte, come tecnica e come soggetti (non solo scene di intimita familiare ma anche soggetti in costume settecentesco). Riscosse un ottimo successo, si fece conoscere a livello internazionale e assimilo una certa tendenza al manierismo. Del 1880 e l'opera Vandalismo, premiata a Brera, dove fu esposta ed e attualmente conservata. In queste opere l'artista si converti verso un'animazione realistica, un uso della coloristica controllato, un grande dispiego inventivo e una delicatezza tonale. Negli ultimi anni le opere del Favretto assunsero una sempre crescente luminosita ed una struttura sempre piu naturalistica. Mori nel 1887, durante l'Esposizione nazionale artistica tenutasi nella citta lagunare, nella quale l'artista esponeva Il Liston.
Chevannes, Pierre Puvis de
French Symbolist Painter, 1824-1898
John William Waterhouse
English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.